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The Serenar 50mm f1.8 of 1951 was an early highlight of that brand. These lenses remain popular even now by users of rangefinder cameras from Canon, Leitz, and so forth. Seiki Kōgaku at first did not have its own optical factory, so it used lenses made by Nikon, but it soon started to make its own lenses under the Serenar brand (later renamed Canon). Copies only came after the war, but Seiki Kōgaku swiftly equipped postwar Canon bodies with a combined viewfinder / rangefinder with three-way switchable magnification (50mm, 100mm, and rangefinder only). The company's earliest cameras were derived much from the design of the Leica threadmount rangefinder cameras concerns about patents, as well as ignorance of the precise specification of the Leica thread mount, kept these earliest Canon cameras distinctive. The company changed its name to Canon Camera in 1947, and to Canon in 1969. 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Like many other designs of Philippe Stark, the Marie Coquine Umbrella Chandelier has a philosophy behind it. Thanks to its organic shape and acidulous colors, the desk is a real attention stealer. Starck used the association with the tree to once again demonstrate his subtle sense of humor to the world. The monolithic polyethylene construction with cable channels seems to resemble a baobab seed. BAOBAB desk, 2000Īnother excellent example of Starck’s unique designs is the BAOBAB desk, created for swiss manufacturer Vitra. The elongated shape of the cast metal stool wonderfully symbolizes the fluidity of time. The modernist piece in pale green enameled aluminum was designed in 1992 for the famous filmmaker Wim Winders. Philippe Starck’s iconic stool looks more like a space sculpture than a familiar piece of furniture. Axor Starck VĬult faucets from the German company instantly won the hearts of consumers.Īlthough nearly 30 years have passed since the initial release, the collection still remains as relevant today, showcasing uncompromising minimalism in all its glory. Launched in 1994, Axor Starck forever changed the design market. Axor Starck V, 1994ĭid you know that Starck has had a hand in bathroom design too? The model is a hybrid of a bicycle and a scooter and is light, maneuverable, and of course, beautiful – just like everything the French designer does. Together with Peugeot, he developed a concept of a 21 st-century city bike for the Bordeaux bike rental network. Philippe Starck surprised everyone with an unusual project. Starck’s sense of style allows him to skillfully balance the line between healthy kitsch and bad taste, which, incidentally, his numerous epigones rarely managed to do. The base of the lanterns is an aluminum Kalash. The pistols and rifles are covered in 18-carat gold. The floor lamps with prototypes of M16 automatic rifles created a furor.įirst presented at the Euroluce exhibition in Milan, it has become one of Starck’s most iconic works. In 2005, Starck once again provoked the world by creating the famous collection of lighting fixtures for Italian brand Flos. You’ll find more information on it below. In 2011, he created an ironic version of Zenith called Marie Coquine Chandelier simply by attaching an umbrella to it! It marked the beginning of the longstanding black crystal fashion and Starck’s strong friendship with the French House. His designed chandelier Zenith Noir became the basis of the entire Darkside collection. Philippe Starck’s collaboration with Baccarat began in 2003. Here we can see the famous Starck irony in full measure – the transparent polycarbonate object is a plastic version of the classic pompous Louis XV armchair. The famous design was created in 2002 and immediately became a bestseller of Kartell and still is. It is rumored that the Louis Ghost chair is the most copied plastic chair in the world. It is made of bronze and comes from one of the very first juicer prototypes. Recently for Alessi’s 100th anniversary, Starck designed a limited-edition version of the iconic object, the Juicy Salif Studii #3. The napkin subsequently took the place of honor in the Alessi museum. Juicy Salif juicerĪs squids merged into table juicers, the silhouette of the most famous juicer was born. The original drawings of Juicy Salif were sketched on a pizza-stained paper placemat. In 1990, while working on the tray commissioned by the Italian house Alessi, Starck felt inspiration and quickly grabbed a pencil.Ī plate of fresh calamari and lemon served with it prompted the designer to create the product, which became known all around the globe. One day, while pondering a plate of fresh squid, modern design guru Philip Starck came up with the world’s most famous juicer, the Juicy Salif. 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After coming off a season that may have gotten him cut, Rosas became the fourth Giants’ kicker ever to make the Pro Bowl. All three of which helped the Giants finish with the second-best kickoff coverage (20.2 yards per return) in the NFL.įor Aldrick Rosas, he saw a huge unforeseen improvement during the offseason. Other significant difference makers acquired were Nathan Stupar, Antonio Hamilton and Tony Lippett. Thomas even earned himself a trip to the Pro Bowl-not the only Giants special teamer there-for his remarkable effort. The Giants added Michael Thomas to help out their special teams and he did just that. The decrease in yardage allowed may be due to the addition of a few notable signings. The Giants also covered his punts well by allowing only 177 punt return yards on the year.īig Blue also made a huge development in kickoff coverage by only allowing 570 return yards. Dixon saw a net punting average of 41.8 yards, much better than Brad Wing‘s mark. He came to the Giants and instantly improved the unit. In the punting game, the Giants acquired Riley Dixon from the Broncos in the offseason. This unexpected spike can be attributed to the development of a few key players and the additions of others. They were also ranked 12th on Pro Football Focus’ rankings and 15th on Rick Gosselin’s rankings. The Giants placed third on Football Outsiders rankings. Coming off of a season being ranked last in all networks, New York saw an upgrade on all the rankings. Special teams coordinator Thomas McGaughey consistently stressed his goals to improve the unit and it seemed like it worked out for him. Overall, these were unacceptable numbers and the Giants had to do something to change them. In fact, the Giants had only 609 kick return yards and 148 punt return yards. New York came away with no great returns to show their fans in 2017. The Giants also saw minimal production in the return game. To complement this mark, he also was below average on extra points (82%). In his debut season, Rosas did not showcase his true ability. The first year player out of Southern Oregon University underperformed from the get-go. In 2017, the Giants featured rookie kicker Aldrick Rosas. The special teams’ woes did not stop in the punting game. This made it almost impossible for the Giants to consistently flip the field. Big Blue surrendered an average of 10.4 yards per return. To heighten the problem, the punt coverage was absolutely abysmal. This was well below the league average and constantly put the Giants in bad field position. This was due to underperformance in all aspects of the unit.įor the punting game, Brad Wing had a net punting average of just 37.5 yards. 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